Peter Bart: Remembering ‘The Godfather’ Set, Shot Through With Bad

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At any given moment the most titillating movie intrigues are not about star salaries or director firings, but rather about those grisly details that are well below the radar.  “The blood doesn’t look right to me. We need believable blood. Blood that coagulates. Get me better blood.”  Those were the demands of one filmmaker who was prepping an especially violent scene on an important movie. Though he abhorred violence, he was determined to deliver memorable murders.  Production strategizing usually remains secretive, with the exception of Alec Baldwin’s Rust, which seems grist for endless litigation. On most studio films, however, the cone of silence remains intact.    The vintage example is The Godfather: Though much has been written about that movie, some pre-production conflicts have …

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